Mary's song is her response to her cousin Elizabeth's spirited greeting, but it is more than that. It comes from deep inside her. It knits together in a new way the sacred experience and language and hope of her people like pieces of a quilt transformed from scraps to splendor.
Nowhere in this song do we hear the name of her child, but somehow he is there in every phrase. Mary's song is not hers alone; it is the song of the child who wants to come, who comes to do the will of God. This song echoes in the events of her son's life, his death, and his exaltation. The song celebrates the God who keeps promises -- not only to Abraham, but also to us.
The Church has picked up this song and sung it often, particularly in daily evening worship. Mary's song, The Magnificat, is a central text in the liturgy of the historic Church. Who knows what number of settings musicians have composed for it through the years? Who knows how many voices have joined with Mary’s in singing her song through the centuries? From "The Song of Divine Triumph" by the Rev. Charles Hoffacker. Read it all HERE.
Image: "Magnificat" by Virginia Wieringa